Last year, in a fatally altruistic gesture, Japanese technocrat Cornelius invited visitors to his website to remix tracks from his excellent 2002 album, Point. PM (it stands for Point Mixes) purportedly compiles the best 12 from around 400 of those submitted, with largely dispiriting results. If Cornelius set out to showcase how the meticulous pastoral textures of Point could be desecrated, then PM is a triumph of sorts: only Masakatsu Inoue's "Pointer Remix", a beautiful hybrid of musique concrète and prickly ambience, really does the source material justice.