Chartered accountancyโ€™s loss proved to be British rockโ€™nโ€™rollโ€™s gain when Robert Plant laid aside his bought ledger and embarked on a career as a singer. As its title suggests, this compilation spans his entire career, from the nascent blue-eyed soul of his Young Rascals cover, โ€œYou Better Runโ€, to โ€œWin My Train Fare Homeโ€, recorded live this year at the Festival In The Desert, near Timbuktu.

Spread over a generous 35 tracks on two discs, this first ever (virtually) solo Plant overview is handily divided between his eight post-Led Zeppelin LPs and a more interesting collectorโ€™s approach that delivers plenty of rare and previously unavailable material. According to Plant: โ€œThe final selection was quite difficult. Avoiding a best-of format which generally relates to chart success was essential. Iโ€™ve tried to mix up โ€™80s techno sounds with the more organic pieces that were developed from 1993 onwards.โ€ Cheers, mate.

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Disc One includes Plant favourites like โ€œBig Logโ€, โ€œShip Of Foolsโ€, โ€œTie Dye On The Highwayโ€ and his stretched-out version of Tim Hardinโ€™s โ€œIf I Were A Carpenterโ€. A canny ability to pick the right brand of retro means that The Honeydrippersโ€™ โ€œSea Of Loveโ€ and the Fate Of Nations alternate cut on โ€œI Believeโ€ still pass muster.

Even so, die-hards are going to jump on the second disc first, since it includes a pair of Band Of Joy demos, featuring Plant and John Bonham. These are Summer Of Love nuggets: โ€œHey Joeโ€ and the Springfieldโ€™s โ€œFor What Itโ€™s Worthโ€. Elsewhere, โ€œLetโ€™s Have A Partyโ€, from NME project The Last Temptation Of Elvis, tributes to Arthur Alexander and Skip Spence, and a collaboration with Afro Celt Soundsystem all indicate an artist with fingers in several pies.

Plantโ€™s interpretative skills are matched by his fan-like enthusiasms. The globe-trotting rock star will enjoy further exposure in a year when Led Zeppelin become a name to drop again.