“We weren’t concerned with reputation then, and I’m not concerned with it now,” writes Ian McLagan in the introduction to our new Ultimate Music Guide. “If you’re thinking seriously about your career, you’re not having any fun, and that transfers to the audience.”
“Life is good,” reflects Mick Fleetwood. We are over two hours into Fleetwood Mac’s third and final show at the O2, and it has fallen to Fleetwood to introduce his fellow bandmates on stage.
It’s a busy week here at Uncut. Last night, John and I went to see Roy Harper play a predictably excellent show at Rough Trade East – you can read all about it on his blog here. Tomorrow, I’m off to see Pixies at the Roundhouse and on Friday, it's Fleetwood Mac at the O2. Oh, and at some point there’s the final episode of Breaking Bad to watch...
The coverage in last weekend’s broadsheet arts pages of Cormac McCarthy’s new book was puzzling, to say the least: there wasn’t any. As you might expect, there were plenty of reviews of Thomas Pynchon’s Bleeding Edge, which was also released this week – The Times even ran with a preview/review of The Goldfish, Donna Tartt’s first novel in a decade, which isn’t published for another month. But, strangely, the publication of The Counselor by Cormac McCarthy passed by without comment.
Yesterday, ahead of the start of the BBC series, The Sound Of Cinema: The Music That Made The Movies, The Telegraph asked their film critics – and then their Twitter followers – to come up with their favourite film soundtracks.
Nicolas Roeg is most widely known for the superlative run of films he made during the 1970s – including Performance, Don’t Look Now, The Man Who Fell To Earth and Bad Timing – but as his memoir, The World Is Ever Changing reveals, his interests are many and wide-ranging.
For me, the strangest moment during last night’s flurry of Arcade Fire activity – Bowie! two videos! world tour! – was the footage of the band stepping out of a limousine in Montreal wearing giant papier mâché heads.
The line-up has just been announced for this year’s London Film Festival, and it looks like pretty good – with new films from the Coens (yes, it’s that one), Jim Jarmusch, Alexander Payne, Steve McQueen, Jonathan Glazer and Richard Ayoade at the top of our must see list.
