Taking my cue from John's round-up of the best albums of 2013 so far, I thought I'd compile a similar list of the best films released between the start of January and the end of June this year.
In among short stories from Annie Proulx, Ed Park and Dashiell Hammett in The New Yorker’s recent “Crimes & Misdemeanours” fiction special was, unexpectedly, new material by Cormac McCarthy.
Siouxsie Sioux’s arrival on stage for her first show in nearly five years is announced by a small plume of dry ice that begins to rise from behind the drum kit at precisely 8.50pm.
The appearance of Werner Herzog as the icy criminal mastermind in Tom Cruise’s most recent film, Jack Reacher, may have come as a surprise to those who assumed that the German director wouldn’t have much interest in such conventional film making.
Although I’m currently watching films due for release in July – which will take us over halfway through 2013 – I’m conscious that there’s a lot of great stuff still to come during the rest of the year.
Getting it together in the suburbs seems to be a peculiarly middle class rite of passage – the moment when city living is no longer tenable and a migration in pursuit of wider spaces, cleaner living and better schools is required. Such considerations are behind the decision taken by Nathaniel and Julia Noailles, who with their young, Aspergersy son Copley exchange their life in Boston for a more spacious existence in Dolores Woods, a large development on the outskirts of an un-named Midwestern city, in Patrick Flanery’s tremendous new novel, Fallen Land.
It seems as if a month doesn’t go by without the release of a new Ben Wheatley film. I'm exaggerating, of course, but Wheatley is certainly becoming one of Britain’s most prolific film makers, with four full-length features since 2009 – as well as two series of Johnny Vegas’ sitcom, Ideal – under his belt.
Uncut contributor Damon Wise is at this year's Cannes Film Festival. Here's his first look review of the new Coen brothers film, set in Greenwich Village in the early 1960s: Inside Llewyn Davis...
There are many delights on offer in David Bowie – Five Years, the BBC’s terrific new documentary focussing on five critical periods in Bowie’s career. Here’s a longhaired Bowie, sporting a natty fedora, at Andy Warhol’s Factory in 1971, miming being disembowelled. And here he is on The Dick Cavett Show in 1974, wearing a dark blue shirt, tartan tie and brown trousers, twirling a cane while he performs “Footstompin”, a cut that eventually became “Fame”.
