Another year, another three days of fantastic music at Brighton's Dome Studio Theatre, curated by Uncut, as part of The Great Escape – this year promises perhaps the most high-energy lineup yet at Club Uncut, with highlights over the weekend including Mikal Cronin, White Fence and Allah-Las. But first, Thursday (May 16) sees Phosphorescent headlining.
Wilco frontman Jeff Tweedy discusses his band’s upcoming new album in the current issue of Uncut (dated February 2013, Take 189), out now – but here, in this piece from Uncut’s August 2009 issue, Tweedy answers questions from fans and famous admirers, and discusses Bob Dylan’s beard, hanging with Neil Young and the recipe for the perfect burger (clue: use cranberries)…
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The new issue of Uncut, out today (January 3), features Gram Parsons, Ray Davies, Morrissey on Mick Ronson, and Uncut's 2013 album preview.
Gram Parsons is on the cover, and inside, collaborators and friends tell the whole story of his incredible last stand – his legendary solo albums, GP and Grievous Angel.
Ray Davies sheds light on his new projects, including an opera, a film and a solo album, in the new issue of Uncut, out on Thursday (January 3, 2013).
The former Kinks frontman also explains the conflicting feelings he experiences when songwriting.
Revealing what he goes through when he realises he's writing one of his great songs, Davies says: "It’s a moment of excessive emotion. And I do get very emotional when I write, sometimes… It’s just a chill you get.
Gram Parsons' legendary solo career is examined in the new issue of Uncut, out on Thursday (January 3, 2013).
The back-to-basics approach of the country-rock singer's acclaimed GP and Grievous Angel albums were in sharp contrast to the more psychedelic work of his previous group, The Flying Burrito Brothers.
Parsons' collaborator in his early band, The International Submarine Band, Ian Dunlop explains: "He’d got into a maze with the Burritos. The thing about the GP album is that he’s coming out of that maze wanting to make pure country music again.
The director of a new film profiling Ginger Baker is interviewed in the new issue of Uncut (dated January 2013, and out now), explaining why the Cream drummer broke his nose during filming… As a companion piece, this week's archive feature finds Baker's former bandmate, Eric Clapton, providing a painfully frank account of his days in Cream – psychedelic drugs, 24-hour confrontations and their love of Pet Sounds included. From Uncut's May 2004 issue (Take 84). Interview: Nigel Williamson
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In celebration of Neil Young’s triple appearance in our review of 2012 (Americana and Psychedelic Pill in our top 50 albums and Waging Heavy Peace in our top 20 books of the year), here’s a look back at an unusually revealing interview with Neil Young (from our September 2007 issue, Take 127) – taking in car graveyards, his mother’s ashes and the truth about Archives and Chrome Dreams… “The Great Spirit has been good to me,” he says. Words: Jaan Uhelszki
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The deluxe reissue of The Jam’s final album, The Gift, is reviewed in the new issue of Uncut (December 2012, Take 187) – so for this week’s archive feature, we’ve stepped back to Uncut’s December 2008 (Take 139) issue, to spend a year by Paul Weller’s side, as he celebrates his 50th birthday. We are invited into the Guv’nor’s inner sanctum, to his star-studded birthday party, and into dressing rooms across Britain and America. And we learn that, like any good mod, Weller remains “more interested in the future than the past”. Words: Paul Moody
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The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller
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