Brought up on the same south London estate as the rampaging So Solid Crew, you might have expected Baz to have become a soul diva or a rap artist, like her sister Monie Love. Instead, under the direction of uber-producer Guy Sigsworth, she's chosen an unashamedly pop path. It would be unfair to call her a black Dido, even if several of the melodies would not have sounded out of place on No Angel. But a female version of Seal wouldn't be far wide of the mark.
He helped Audrey Tautou steal your heart in Amélie, and Tiersen, like that film, evokes the passing of French iconographies (Pernod, madeleines, poujadisme) and the culture's quiet assimilation of change, with or without accordions. The slyly sentimental, Nyman-leaning postmodernism of "A Quai" and "Bagatelle" absorbs genres from Rai to post-rock but remains uniquely French. Zazou and Eno, watch your arses.
This features nine bands showcasing two tracks apiece produced by Gordon Raphael. New York's The Astro Jet and Soundtrak pursue hectic, angular new wave with conviction if not originality. But it's Berlin's Van Der Meer who greatly impress with "Now I've Found You", a ravishing dream-pop blast akin to My Bloody Valentine colluding with Juliana Hatfield. Elsewhere, the yearning, lyrical introspection of The Satellites shows that Raphael's A&R ear matches his studio skills.
