David Lynch's TV series, which first aired in the UK in the early '90s, broke the mould on so many levels, arguably paving the way for everything from Northern Exposure and Wild Palms to The Sopranos and Six Feet Under. Ostensibly a whodunnit, this deeply unconventional show explores secrets and strangeness in a rural community. And boy, do we get strangeness, from Kyle MacLachlan's relentlessly chipper FBI agent to the Log Lady and the One-Armed Man. Genius
The two albums of Woody Guthrie songs recorded by Billy Bragg and Wilco and released as Mermaid Avenue (Volumes One and Two) are already alt. country classics. Kim Hopkins' documentary film follows Bragg around America in search of Woody. Archive footage of the great man is interwoven with Bragg performing some 20 songs, alongside guests including Natalie Merchant. Films about making albums seldom do the music justice. Man In The Sand breaks the pattern.
DVD EXTRAS: Bonus audio tracks, discography.
Playing while standing on a runway with planes roaring overhead in "Beautiful Day", introducing the Flys V Lemons Championships in "Stuck In A Moment...", and playing with cartoons and Batman footage in "Hold Me, Thrill Me, Kiss Me, Kill Me", U2 are as entertaining as they are enormous and serious. More intriguing, though, are the visits paid behind the scenes as U2 play Sarajevo, bribe Larry with a mermaid and film three videos for "One".
"Don't watch that—watch THIS!". The Nutty Boys' promos were always integral to their position as one of the greatest English singles bands of the 1980s. What's "Baggy Trousers" without a flying saxophonist? What's "It Must Be Love" without the sight of Suggs and chums risking electrocution in a swimming pool? They're all here, from '79's "The Prince" to '99's Ian Dury-assisted "Drip Fed Fred". Priceless.
Forget CDs, this is how Damon Albarn and Jamie Hewlett's bloodless multimedia project was always meant to be experienced: as a fancy interactive DVD stuffed with videos, storyboards, short animations, a documentary and plenty of hidden gimmicks that only resourceful 11-year-olds can locate. Extensive foraging suggests, however, that Albarn's soul is still nowhere to be found.
Four magnificent hours of documentary narrated by Kris Kristofferson which trace the history of indigenous American music throughout the 20th century. Thrilling ancient footage of Muddy Waters, Hank Williams, BB King, Woody Guthrie and dozens of others drawn from the ranks of the true pioneers of blues, gospel, cajun, folk and country makes this an essential purchase for anyone with a passion for America's musical heritage.
The quintessential '90s indie band take a creditable tilt at posterity on this two-disc set. Thirteen delightfully silly videos and two live sets provide the bulk, but the real gem is a detailed and affectionate documentary (reminiscent of Fugazi's Instrument) tracing Pavement from shambolic beginnings to nominally slicker stardom, of a kind. For connoisseurs: plenty of lunatic first drummer Gary Young and Stephen Malkmus interviewed in a sauna.
Wesley Snipes returns as Blade the Daywalker, scourge of vampires despite being half-vampire himself. This time he's recruited by the Vampire Nation to lead a crack assault team (including the wonderful Ron Perlman) against a new breed of bloodsucker that menaces vampires as well as humans. As stylish as the first flick, but not quite as much fun.
