As For Free caps a remarkable renaissance, Croz answers questions from the Uncut audience: he recalls jamming with Hendrix, being “stupefied” by The Beatles… and the making of High Noon
Fifty-five years after Revolver, we've assembled a crack team of Beatles heads – Johnny Marr, Brian Wilson, Wayne Coyne, Dhany Harrison and Sean Ono Lennon among them – to explore their favourite tracks from the Fabs’ finest body of work
It's April 6, 1966. We're in EMI Studios on Abbey Road, where tape loops, drones and mystical incantations derived from The Tibetan Book Of The Dead herald this next revolutionary phase in The Beatles’ career
Curtis Mayfield covered a vast amount of ground during the ’60s with The Impressions, but as a solo artist he went into overdrive. Bandmates and family tell us about the soul superstar’s creative peak in the early ’70s
Blending ‘retro’ R&B with lo-fi garage grit, Leon Bridges became a Grammy-winning Texan success story. Back home in Fort Worth, he tells us of the nocturnal LA sessions that birthed his third album Gold-Diggers Sound
As Lindsey Buckingham resumes his solo career as one of rock’s most discreet musical radicals, he tells Uncut about false starts, his “crisp and dirty” new songs, the death of Peter Green and the ongoing soap opera around his alma mater
