Interviews

How Bob Dylan made Blood On The Tracks

The inside story of a masterpiece

Can’s Irmin Schmidt: “We were too undisciplined for festivals!”

Charting the German band's wild live adventures in the new issue of Uncut

Debbie Harry: “Music seems to cross boundaries”

Blondie: Vivir En La Habana to premiere at Sheffield Doc Fest in June

Pete Townshend’s Top 10 deep cuts from The Who Sell Out box

“I had this period where I was on a bit of a high"

An Audience With J Mascis of Dinosaur Jr

"I have some purple clothing, but it’s very hard to get for men"

Marianne Faithfull: “I managed not to die!”

Rock's most regal survivor holds court in the latest issue of Uncut

Richard Thompson on the flowering of Fairport Convention

"There was a musical explosion – you could play almost anything and be accepted"

Alan Horne on the resurrection of Postcard Records

"There’s no conceivable excuse to be whoring yourself off to any crooked corporate malarkey"

Green Gartside on the making of Scritti Politti’s Cupid & Psyche 85

"Half of it was exquisite agony, the rest of it was an unbelievable thrill"

Fugazi’s Ian MacKaye: “We decided we were going to start a new scene”

The new issue of Uncut revisits the birth of post-hardcore in Washington DC
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