The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller
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Eno’s sublime new album, Lux, is reviewed in the current issue of Uncut (December 2012, Take 187) – so we’re delving back to December 2010’s issue to meet the time-travelling conceptualist himself, a man who’s into ecstatic food cults, Music For Maternity Wards – and trying to remember his own past. “One of the big driving forces for Roxy Music,” he says, “was that we hated hippies…” Words: Stephen Troussé
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The current issue of Uncut features a review of the lavish reissue of Peter Gabriel’s groundbreaking So album – to accompany that, it seemed like a perfect time to republish this great interview with the man himself, from Uncut’s July 2007 issue (Take 122). Gabriel joins Uncut for a look at his glorious career, and at those remarkable costumes… “You could feel the horror,” he remembers. “I thought, ‘Oh, this is exciting!’” Words: David Cavanagh
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Did you see that terrific BBC4 Squeeze documentary, Take Me I’m Yours, on Friday night? I was more than a little taken aback by the currently be-whiskered Glenn Tilbrook, but I’m sure there’s a plausible explanation for wanting to look like that and otherwise the programme was a timely reminder of the many great songs he and Chris Difford have written over the years. It also put me in mind of an eventful few days I spent with the band in 1980, when they were rather unhappily touring Australia, where I caught up with them in inhospitable Brisbane before we headed for the sunny beaches of Surfer’s Paradise. Here’s a piece I wrote for my old Stop Me If You’ve Heard This One Before column in Uncut.
Calexico’s new album, Algiers, is reviewed in the current issue of Uncut (October 2012, Take 185) – so we thought we’d take a trip back to April 2003 (Take 71), when Uncut’s John Mulvey flew out to Tucson, Arizona to discover more about the duo’s redrawing of the alt.country map.
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Chan Marshall’s new album, Sun, is reviewed in the latest issue of Uncut (Take 185, October 2012) – this week’s archive feature, from December 2006 (Take 115), finds Marshall recovering from a breakdown after perhaps her most successful year to date. Here, she tells Marc Spitz how she pulled herself back from the edge…
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As part of our Nick Cave cover story in the current issue of Uncut, I spoke to film maker John Hillcoat. Hillcoat and Cave’s friendship stretches back to Melbourne in the late 1970s, while their first professional collaboration came in 1981, when Hillcoat edited the promo video for The Birthday Party single, “Nick The Stripper”.
