The first set of Zappa’s mammoth series of reissues is reviewed in the new issue of Uncut, dated October 2012, and in shops now. To accompany David Cavanagh’s in-depth, three-page examination of the dozen re-releases, here’s a feature from November 2010’s Uncut (Take 162), in which members of the guitarist and composer’s various bands recall the madness and precision that went into some of his most important works. Interviews: John Lewis
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This month’s issue of Uncut (September 2012, Take 184) features Joe Strummer on the cover – inside is an in-depth exploration of his secret history, after The Clash split up to his redemption in the late ’90s. To complement this, our archive feature this week finds Strummer looking at the demise of The Clash – from their epic Sandinista! album to their bitter disintegration. This excerpt is taken from a longer piece in the September 1999 (Take 28) issue of Uncut. Words: Gavin Martin
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John Fogerty’s show supporting Bruce Springsteen at London's Hyde Park is reviewed in the new issue of Uncut, out now (dated September 2012). So, for this week’s archive feature, we delve back to March 2006 (Take 106), when the Creedence singer, guitarist and songwriter talked Uncut through all of his legendary band’s singles. Interview: Bud Scoppa
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John Murry first entered Uncut airspace in 2006 with World Without End, the bleakly brilliant album of country death songs he wrote and recorded with Bob Frank. Six years on, Murry has just released his first solo album, The Graceless Age, an album of almost symphonic emotional turmoil, co-produced by late American Music Club drummer Tim Mooney. The songs on the record deal sometimes explicitly with Murry’s heroin addiction, specifically the 10-minute ‘Little Coloured Balloons’, a harrowing account of a near-fatal OD. I reviewed The Graceless Age for the current issue of Uncut and emailed Murry some questions, to which he replied in detail and at illuminating length, as you will see from the fascinating transcript that follows.
Wayne Coyne of The Flaming Lips answers your questions in An Audience With… in this month's new issue of Uncut, out now. In this week's archive feature we head back to our June 2008 issue (Take 133), to find the band's frontman looking back over their back catalogue, taking in Vaseline, drug addiction, union picket lines, the religious right and nothing short of the collapse of civilisation. “My agenda is to go somewhere where we’ve never been before…" Interview: Jaan Uhelszki
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Been talking for a while now about how I think Six Organs Of Admittance’s “Ascent” is one of the best albums of 2012, and I’ve finally written about it at length in the new issue of Uncut. Anyhow, Ben Chasny responded to a bunch of questions I sent over with a characteristic diligence, and I figured it was worth posting the whole exchange here.
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I wrote a long review of the new Sun Kil Moon album, "Among The Leaves", in the latest edition of Uncut. This is the unedited version of the email interview I conducted with Mark Kozelek that runs alongside the piece. Pretty funny and revealing, I think, not unlike his new album.
The new issue of Uncut (Take 183, dated August 2012) features a ‘first listen’ to Animal Collective’s new album, Centipede Hz – so in this week’s archive feature, we revisit the band in São Paulo in 2009, just after the release of their acclaimed Merriweather Post Pavilion. Stephen Troussé heads to Brazil to talk Christina Aguilera, musique concrète and the Grateful Dead…
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Sun Kil Moon’s excellent Among The Leaves is Uncut’s lead review in the new August 2012 issue, out now. In this feature from September 2010 (Take 160), Mark Kozelek looks back over the highlights of his recording career, from Red House Painters to his current wrestling-indebted incarnation. Words: Graeme Thomson
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