According to someone nearby, Richard Swift’s band look like they’ve just come off a trawler – the sort of image I aspire to, obviously. They sound, however, quite different: at this point, uncannily like a soul harmony group, somewhere between The Miracles and The Stylistics.
I have a default rant about the parlous state of most modern British folk which I wheel out here every couple of months or so. Jim Moray and Seth Lakeman are unfailingly indicted, and Alasdair Roberts is held up as the excellent exception which proves the rule. It’s nice, then, to be presented with a new Alasdair Roberts album, “Spoils”, to justify my prejudices.
First off, in case you missed it, I posted a second blog on Friday afternoon: the long-promised round-up of links to other blogs. Thanks again for everyone who posted their recommendations – keep them coming.
Thanks for all your suggestions regarding your favourite blogs. I’ve finally got around to putting together a list here - not 100 per cent sold on all of these, but they’re pretty good. Again, if you know any nice ones we’ve missed, please let us know in the comment box at the bottom of the blog.
“I’ve been thinking a lot about dying recently,” says Philip Seymour Hoffman’s neurotic theatre director Caden Cotard early on. And, certainly, you could be forgiven for thinking that the odds were stacked against him. Within the first half hour of Synecdoche, New York, there are enough portents of doom lurking around you’d think you were watching a tragedy, were it all not so funny.
Of course the practicalities of listening to music in the Uncut office shouldn’t concern you much, but it’s worth noting that for some weeks, possibly months now, we’ve been grappling with the new Bonnie ‘Prince’ Billy album, “Beware”, widely proclaimed as one of his best ever and yet, round these parts at least, treacherously hard to hear properly.
Sad news this morning, inevitably overshadowed in the UK by all the Brits bullshit, that Touch & Go Records are to cease putting out new music (not sure where that leaves, say, the forthcoming Crystal Antlers album, for a start). A slight unhappy coincidence, in that this morning I was playing a new record which has distinct ties to the ‘80s post-hardcore from which Touch & Go emerged, allbeit closer ones to the SST sound of that time.
It’s beginning to look as if, in certain online circles, there’s going to be quite a fuss around the new Grizzly Bear album, “Veckatimest” – comparable perhaps to the heat around the Animal Collective record at the end of last year. Security’s comparably tight around “Veckatimest” – ironic considering it was Grizzly Bear themselves who benignly leaked a couple of “Merriweather Post Pavilion” tracks – but we did manage to sneak one listen yesterday.
