From this year's Sundance Film Festival in snowy Utah, here's our verdict on The Doors documentary, When You're Strange, from Living In Oblivion director Tom DiCillo.
A couple of weeks ago, I posted this blog which, in a slightly bewildered-old-man way, wondered why a raft of electropop types like La Roux and Little Boots were being tipped so enthusiastically for success in 2009.
OK, so some weird technical business over the past few days has meant a very spotty service here of late. Hopefully it’s fixed now, and I can get back into the blogging swing. A big batch of new arrivals in this week’s mixed bag, including PJ Harvey, Pete Doherty, The Decemberists, Marianne Faithfull (covering Espers!) and The Rakes.
I posted this yesterday, but our blogs are misbehaving at the moment and it's seemed to have disappeared. So again: Bruce Springsteen, "Working On A Dream". Apologies for the day-old Obama stuff.
I happened to be at Chalk Farm tube yesterday, waiting for a train. As a bus user, I’m always curious to see what kind of ad campaigns studios are running on the underground for their current releases. At the moment, as a right-thinking film fan, you might be in a state of near-priapic delight at the wealth of prestige movies in cinemas. There’s posters up for The Wrestler, Slumdog Millionaire, The Reader, Milk and Frost/Nixon, breathlessly described with attention-grabbing quotes like “the feel-good film of the decade”, or “a contender for Best Picture”. It is, of course, January, and rather shamelessly the studios are chucking out their high-calibre movies as we pile headlong into Awards season.
The Neil Young/”Fork In The Road” business I wrote about yesterday seems to be moving on apace, as things suddenly seem to do in Young’s world. Thrasher’s Wheat now have a video and lyrics of the song.
Not for the first time, we’re starting to get an inkling that Neil Young might have been distracted from releasing “Archives” again. The latest digression was signalled on his run of American shows before Christmas, when something like ten new songs gradually made their way into the setlist.
