Features

Introducing the Ultimate Music Guide to Van Morrison

In-depth writing on (and revealing interviews from) all eras of Van’s work: from Them, to Latest Record Project, via Astral Weeks, Moondance and Common One

Famous fans revisit Revolver at 55: “I believed it was everybody’s favourite Beatles record”

Fifty-five years after Revolver, we've assembled a crack team of Beatles heads – Johnny Marr, Brian Wilson, Wayne Coyne, Dhany Harrison and Sean Ono Lennon among them – to explore their favourite tracks from the Fabs’ finest body of work

Tape loops, drones and The Tibetan Book Of The Dead: Inside The Beatles’ Revolver sessions at EMI Studios

It's April 6, 1966. We're in EMI Studios on Abbey Road, where tape loops, drones and mystical incantations derived from The Tibetan Book Of The Dead herald this next revolutionary phase in The Beatles’ career

Remembering Curtis Mayfield’s indomitable ’70s period: “He was a poet and a prophet”

Curtis Mayfield covered a vast amount of ground during the ’60s with The Impressions, but as a solo artist he went into overdrive. Bandmates and family tell us about the soul superstar’s creative peak in the early ’70s

Inside the nocturnal sessions for Leon Bridges’ Gold-Diggers Sound: “It’s hard to unlock a sexy vibe at 11am”

Blending ‘retro’ R&B with lo-fi garage grit, Leon Bridges became a Grammy-winning Texan success story. Back home in Fort Worth, he tells us of the nocturnal LA sessions that birthed his third album Gold-Diggers Sound

Lindsey Buckingham: “We slapped everyone across the face going from Rumours to Tusk!”

As Lindsey Buckingham resumes his solo career as one of rock’s most discreet musical radicals, he tells Uncut about false starts, his “crisp and dirty” new songs, the death of Peter Green and the ongoing soap opera around his alma mater
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