Strange juxtapositions and all that, but please have a listen to the Date Palms track and, in the unlikely event you haven’t been near the internet for the past few days, the Daft Punk clip. Nile Rodgers’ expression is a thing of joy, among other things.
A momentous week, one way or another, though I can’t help wishing the resonant and thought-through fury of “Tramp The Dirt Down” was heading into the Top Ten instead of “Ding Dong The Witch Is Dead”.
A fairly eclectic selection here this week, including some great proto-Takoma guitarists from the 1920s, chamber music reimaginings of the Kompakt back catalogue, that lost Romanian kosmische record you’ve always been looking for, and Prince making a stoner jam out of “Let’s Go Crazy” (which you can hear below, along with a bunch of interesting other stuff).
In haste, and listening to an unexpected return to music from Douglas Hart as I type. Twenty-one items on the playlist this week, mostly approved. Special attention here, I think, for the new Oh Sees album (that’s the sleeve above), which very much builds on “Purifiers II”. Increasingly keen on the James Blake, too, especially the RZA track.
The distraction of a Laura Marling blog yesterday has had the knock-on effect of making this week’s playlist longer than usual: 27 tracks/albums in all.
Swiftly this week, as I have a heap of proofs to read for the next Uncut Ultimate Music Guide (the subject this time is The Smiths and Morrissey, hence the appearance of “Hatful Of Hollow” below).
A recording of Kraftwerk’s “Trans-Europe Express” night at the Tate Modern seems to have fallen off the back of the internet this morning: genuinely not sure where one of my colleagues found it, before you ask.
Lots going on here, not least the fact that I have to write a long review of the mostly amazing Kraftwerk show that I saw next door at the Tate Modern the other night.
