A busy day for new records yesterday, notable I guess for the arrival on a secure internet stream of the new, Eno-produced Coldplay album, plus a bunch of new tracks from Primal Scream, one of which is weirdly reminiscent of Pulp. In perhaps less headline-grabbing news, Black Taj are a couple of guys from Polvo (you can hear the awesome jam, “Fresh Air Traverse”, here), and the Wild Beasts album is lovely.

I'm just playing an old record by the great folk/psych/raga guitarist Peter Walker, who has recently returned to action after nearly 40 years of, as far as I can tell from a quick circuit round the internet, practising flamenco guitar. Amazingly, Walker - one of the few survivors of John Fahey's generation of American primitives, and the man who provided musical accompaniment to Timothy Leary's early experiments - is playing just down the road from me in Dalston, North-East London tonight.

This week's playlist, then. The Dennis Wilson record is a bootleg, incidentally - the expanded "Pacific Ocean Blue", with the first official release of those "Bambu" tracks, is due in the office any minute now. Tonight, I'm going to see Portishead, so I'll endeavour to report back first thing tomorrow morning.

One of those professional obligation sessions in the Uncut office right now: we’re on Track Eight of the Panic At The Disco album, “Pretty. Odd”. Interest piqued by some frothing and slightly dubious suggestions that “Pretty. Odd” is a landmark of WEIRD! and AMBITIOUS! rock music, imagine our surprise when it seems to sound a bit like The Feeling and those shabby Beatles pastiches that Tears For Fears came up with in the ‘80s. We do, however, have new records by Paul Weller, Peter Walker and James Blackshaw.

Thanks for all your responses to the Raconteurs and REM blogs yesterday. I'm glad I wasn't the only one to feel underwhelmed by the REM Albert Hall show.

A load of new stuff again this week, much of it pretty interesting. The Brethren Of The Free Spirit, incidentally, are a duo featuring the guitarist James Blackshaw, who's received much love here over the past year.

The playlist comes a bit earlier than usual this week, since we've been finishing the next issue today, and I haven't had a chance to write a proper preview. You probably should know, though, that the new Fall album on first listen appears to include, besides the usual murky paranoia, a faintly jazzy song about crows (and possibly "J-Loaded Brown", though we could have misheard that) called "Alton Towers".

As you might imagine, a fair amount of excitement round these parts at the prospect of a six-hour Neil Young gig tonight. I'll report back first thing tomorrow; it's going to be interesting to see how much the show resembles the one Damien saw in Edinburgh. Please keep filing your reviews of the shows, too - I'm fascinated to know how - or if - the spectacle will evolve as the month progresses. Maybe "No Hidden Path" will just get longer and longer?

That time of the week again. Here are the records that we've played over the last day and a bit in the Uncut office. One thing here worth explaining: Retribution Gospel Choir are fronted by Low's Alan Sparhawk and produced by Mark Kozelek.

Morning all, here's the latest rundown. I guess the most significant new arrival this week is from Spiritualized: "Songs In A&E" just arrived. We're on Track Five right now.