Album

Skinner Takes All

You might be expecting this to be a car crash of a second album, an anachronism long since superseded in relevance and sonics by the likes of Dizzee Rascal. But A Grand Don't Come For Free is in fact an extraordinary thing—a concept album, possibly the first garage opera, with a storyline that magnifies the frustration and decay captured so brilliantly on 2002's Original Pirate Material. The story details a particularly ruinous week in Mike Skinner's life; focusing on the loss of his £1000 savings, his broken TV and the collapse of his relationship with his girlfriend.

A Brace Apart

Two towering '80s icons get back on track but with some way to go

Intuit

German nu-jazz duo draft in classy support for luscious Afro-Latin debut

Dion – 70s:From Acoustic To Wall Of Sound

Mr DiMucci puts adolescence to bed in slick urban soul collection

Ex Marks The Spot

The onetime couple's three albums for Island, plus lives and BBC sessions

Pete Bruntnell – Played Out

All-acoustic deconstruction of singer-songwriter's career highlights

Greasy Riders

Tasty offbeat debut from bedroom-dwelling electro-funk fanatics

Great Lake Swimmers

Exquisitely frosted debut from Toronto's Tony Dekker

Thick Pigeon

Undeservedly obscure synth duo reappraised

Bobby Charles – Last Train To Memphis

Louisiana legend hits the comeback trail
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