Colin (son of Tom) Hanks proves his worth as a responsible wannabe writer constantly thwarted by his manic stoner brother (Jack Black), drunken mum (Catherine O'Hara) and surfer dude buddies. Many most excellent jokes and comic cameos from John Lithgow and Jane Adams make this a fine Friday-nighter.
Not even the presence of Peter Lorre can save Voyage To The Bottom Of The Sea from being shoddy, badly written B-movie dreck. Fantastic Voyage may be creaky, but it's still great fun. Gasp as doctors (including Raquel Welch) get miniaturised and injected into the bloodstream of a comatose scientist to operate on his brain. Worth it for the impressively psychedelic SFX alone.
Remember the '80s, when Dan Aykroyd comedies were event movies? This 1988 stinker brings back plenty of bad memories, with Aykroyd playing a mental patient masquerading as a radio talk-show shrink. Not even co-stars Walter Matthau and Charles Grodin can wring a laugh from this wretched relic.
Ben Affleck plays Marvel's blind superhero, with Jennifer Garner as his love interest (the ninja assassin Elektra), Colin Farrell as hitman Bullseye and a suitably imposing Michael Clarke Duncan as the crime lord Kingpin. The fight sequences are impressively executed, and it's a solid stab at the source material; sadly, some substandard CGI lets it down.
Pam Grier is a nurse turned vigilante, on a mission to avenge her strung-out kid sister by taking out the pushers, bad cops and corrupt politicians feeding off her neighbourhood. Hustling along to Roy Ayres' soundtrack, Jack Hill's 1973 movie is often grisly but treats its sex and violence with a surprising, and refreshing, matter-of-factness.
George Romero's ecological thriller from 1973 combines the social awareness of his zombie trilogy with horror that's much more effective because it's much more believable: when a biochemical weapon is accidentally released in a small Pennsylvania town, it sends the inhabitants insane, so the military are sent in to mop up. Genuinely unforgettable.
Robert Mitchum plays the world-weary captain of a US destroyer patrolling the South Atlantic, who becomes involved in a chess-like battle of wits with noble U-Boat commander Curt Jürgens. Dick Powell's tense 1957 WWII movie is notable as one of the first to accord the Germans some respect, unfolding as a game of cat and mouse that will be played to the death.
After a series of stunning cameo performances and a flamboyant turn opposite Robert De Niro in Flawless, Philip Seymour Hoffman makes full use of his first unopposed lead, running the gamut of grief as a successful techie crushed and drawn to petrol-sniffing by his wife's suicide. Fraught, funny, hysterical and truly touching.
Like something director/star Clint Eastwood and his trusty Malpaso production company knocked off in a weekend, Blood Work is a soulless chunk of Dirty Harryology. Yet again playing the geriatric-but-noble card, Clint is former FBI profiler Terry McCaleb, who's brought out of retirement to catch a nasty serial killer who once gave him a heart attack (don't ask!).
Banned in 1939 by a pre-War French government, for being 'demoralising', Jean Renoir's transparently allegorical film is set in a decadent chateau during a hunting weekend when pointed badinage, back-stabbing and partner-swapping suddenly erupt in an act of murder. Watch out for the ominous 'shooting party' scene, with heavily armed toffs turning a rabbit-hunt into a bloody massacre/metaphor.
