Thomas Vinterberg christened the Dogme genre with immense style in this 1998 Danish classic with edgy docu-drama camerawork and grainy digital video helping to supercharge a time-honoured narrative progression from cosy family gathering to shock revelation. Partly inspired by a real-life radio phone-in confession, Vinterberg's jet-black farce moves from incest, suicide and racism to cathartic redemption.
DVD EXTRAS: Trailer, Dogme certificate, interview/picture booklet.
Set in grunge-era Seattle, Cameron Crowe's quick-off-the-mark 1992 romantic ensemble comedy managed to corral members of Pearl Jam into the mix alongside Bridget Fonda, Matt Dillon, Kyra Sedgwick and Campbell Scott. Crowe falls short of his masterful memoir Almost Famous, partly as Scott and Sedgwick are too stiff for the central rock'n'romance plot, but this is still a charming historical snapshot.
When, in '91, this wasn't nominated for a best foreign film Oscar, nearly every living German director signed a protest letter. Agnieszka Holland hasn't since matched the story of a Polish Jew who pretends to be a Nazi in order to survive. Suspenseful and sensitive, it avoids traps which even Polanski's The Pianist falls into.
Kathryn Bigelow's lavish direction can't keep this creaky adventure afloat. Catherine McCormack is Jean, a photo-journalist researching a century-old double murder while rekindling her relationship to Thomas (Sean Penn) on a sailing trip. A cliché-soaked script and Liz Hurley's wobbly acting lends a made-for-TV ambience.
Bahman Ghobadi's gruelling account of Kurdish hardships on the Iran/Iraq border has none of the artful self-consciousness of Samira Makhmalbaf's remarkably similar Blackboards. Instead, this powerful story of eldest child Ayoub trying to smuggle his dying brother into Iraq features brutally uncompromising scenes of bareknuckle kiddie fistfights, savagely battered horses, and the casual physical abuse of a crippled child.
Bigas Luna's 1990 film deals with, yes, sex, but like most Spanish movies it does so unapologetically and flamboyantly. A teenager is corrupted by her brother's friend: later they marry, but by now the libido of Lulu (Francesca Neri) is out of control. Sounds like Channel 5 fare, sure, but as with Jamón, Jamón and Golden Balls, Luna lifts it higher.
DVD EXTRAS: Filmographies, notes, trailer.
Die Hard director John McTiernan remakes the '70s extreme-sports classic with a sledgehammer where the subtle social comment should be. Chris Klein, the poor man's Keanu, is the Rollerball superstar learning that league-owner Jean Reno has all the morals of a snake. Loud, brash and dumb, though cameos by LL Cool J and Pink might thrill pop completists.
Halle Berry's blubbing Oscar win shouldn't obscure the fact that this is a brave, harrowing film, echoing the intimacy of '70s cinema's heyday. Billy Bob Thornton is uncannily intense as a Death Row prison guard who cracks up when his son Heath Ledger can't handle his job. An odd coupling with convict's wife Berry may or may not redeem him. Inspirational.
Not as bad as they said, until you hit the magic realism. Lasse Hallström is safer on the brief establishing scenes, and Newfoundland is refreshingly unfamiliar Both sadsack Kevin Spacey and closed Judi Dench endure a near-Theban family history in rotten weather. Journalists will savour the local paper.
While serving as a complete visual history of the Manics from their early days as glammed-up rock'n'roll agitators—with Richey-to their currently more statesmanlike demeanour, Forever Delayed also shows how perfectly video has suited their mix of music and protest. Live performance and increasingly sophisticated films and storyboarding are shot through with urgent messages, slogans, cut-and-paste docu footage and literary reference as the hits roll on.