The quintessential '90s indie band take a creditable tilt at posterity on this two-disc set. Thirteen delightfully silly videos and two live sets provide the bulk, but the real gem is a detailed and affectionate documentary (reminiscent of Fugazi's Instrument) tracing Pavement from shambolic beginnings to nominally slicker stardom, of a kind. For connoisseurs: plenty of lunatic first drummer Gary Young and Stephen Malkmus interviewed in a sauna.
Multiple Oscar-winner (beating out Scorsese's Raging Bull) from 1980, directed calmly (and, for some, soporifically) by Robert Redford. It's a sombre, actorly affair in which wealthy Donald Sutherland and Mary Tyler Moore grieve for their son's death; his brother Timothy Hutton blames and shames. An early, earnest look at the dysfunctional family: American Beauty without the laughs.
Reissued as part of the Superbit series, Barry Sonnenfeld's witty and energetic spoof fields a wonderful tearning in sassy Will Smith and sardonic Tommy Lee Jones. "Searching for a handle on the moment?" asks the latter when the rookie alien investigator is first confronted with the tentacled weirdos from outer space. Fave moment: Noisy Cricket.
In 2054 murder is obsolete thanks to Precrime, whose precognitive psychics enable police to arrest killers before they can kill. Then Precrime detective John Anderton (Tom Cruise) is himself accused of planning a murder, and only the psychic Agatha (Samantha Morton) can clear him. Spielberg's masterful sci-fi suspense turns Philip K Dick's short story into something Hitchcockian and technologically dazzling.
Whoo hoo! Ridley Scott's timeless sci-fi noir classic gets handsomely packaged in an impressive box set along with lobby cards, original 35mm frame, script book and poster Definitely Harrison Ford's finest hour, tracking Rutger Hauer and his band of existential Replicants through a neon-and-rain-soaked future LA. Peerless.
Hip hop's finest double-act, Dr Dre and Snoop Dogg, pay loose, improvisational homage to the 1976 comedy classic Car Wash with this amiably inert tale of two roommates scheming, scamming and "busting suds" at the local LA 'wash. There's a kidnapping subplot, consistent casual misogyny, and cameos from Ludacris, Eminem and Tommy Chong. Overall, patchy, but not entirely pointless.
Wesley Snipes returns as Blade the Daywalker, scourge of vampires despite being half-vampire himself. This time he's recruited by the Vampire Nation to lead a crack assault team (including the wonderful Ron Perlman) against a new breed of bloodsucker that menaces vampires as well as humans. As stylish as the first flick, but not quite as much fun.
