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Subscribe
News
Features
Reviews
Music
Film
Uncut+
Magazine
Subscribe
Single Issues
Subscribe
Newsletter
Search
News
Features
Reviews
Music
Film
Uncut+
Magazine
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Single Issues
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Newsletter
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Reviews ...
Reviews
Beth Orton – Weather Alive
Self-produced, viscerally ambient sixth hangs on to love
23rd September 2022
Makaya McCraven – In These Times
The Chicago drummer/producer/arranger mines the past to speak to the present
23rd September 2022
Al-Qasar – Who Are We?
Paris-based psych-rockers gather a punky outlaw army from the Middle East to the West Coast
16th September 2022
Marianne Faithfull – Songs of Innocence And Experience, 1965-1995
The Blakean years of an English rose, reconsidered
16th September 2022
Daniel Romano’s Outfit – La Luna
Mystical prog-country opera from Canadian polymath
12th September 2022
David Sylvian – Blemish/Manafon
Glitch-improv confessionals revealed as deconstructed pop standards on new vinyl reissues
2nd September 2022
Vince Guaraldi – It’s The Great Pumpkin, Charlie Brown
Jazz pianist’s 1966 Peanuts soundtrack dusted off and tidily tooned up
2nd September 2022
Ezra Furman – All Of Us Flames
Self-determination, struggle and solidarity, with a high-beam rock’n’roll soundtrack
26th August 2022
Lou Reed – Words & Music, May 1965
The roots of Lou, untangled
26th August 2022
Bridget St John – From There / To Here – UK/US Recordings 1974-1982
Bridging the Atlantic: maxi-skirt chanteuse’s lost decade revisited
26th August 2022
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John Robinson
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The new Ultimate Music Guide: Siouxsie & The Banshees
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Tom Pinnock
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Laura Marling: “maybe a once-in-a-lifetime thing”
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Jaan Uhelszki
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Tom Petty: runnin’ down a dream
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500 Greatest Albums of the 1950s…Ranked!
Live
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Father John Misty, Royal Albert Hall, London, April 15, 2025
Album
Louis Pattison
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Songs Of Green Pheasant – Sings The Passing
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