Reviews

The Good Boss

Bardem's Blanco is at once loathsome, cosy and seductive in this black comedy by Fernando León de Aranoa

Andrew Tuttle – Fleeting Adventure

Banjo-wielding Aussie experimentalist broadens his soundscape

Grateful Dead – Europe ’72: 50th Anniversary Edition / Lyseum Theatre – May 26, 1972

The Dead’s definitive statement, 50 years on

Ty Segall – Hello, Hi

Indie-rock’s great restless spirit gets back to basics. Just don’t call it a lockdown album

The Walkmen – You & Me: The Sun Studio Edition

The NY-based quintet’s magnum opus, recorded at Sun Studios in Memphis with a five-piece horn section

David Michael Moore – Flatboat River Witch

“Traditional but perverted” folk-jazz played on home-made instruments by the banks of the Mississippi

Black Midi – Hellfire

Unique London outfit wrestle with chaos on their explosive third album and achieve precise mayhem

Cheri Knight – American Rituals

A first-time survey of the folk-singer-turned-farmer’s elemental minimalism, set to give her the recognition she deserves

Lera Lynn – Something More Than Love

Texas-born Nashville songwriter on the joys and trials of new parenthood on her consummate sixth album

MJ Lenderman – Boat Songs

Youthful auteur finds his voice within a clutch of compelling indie-rock vignettes
1...323334...718Page 33 of 718
Advertisement

Editor's Picks

Advertisement