Reviews

Breakfast With Hunter

Hunter S Thompson, that is. Wayne Ewing shot the bulk of this loose but extremely entertaining documentary during the pre-production for Fear And Loathing In Las Vegas. The author wavering between guru and asshole, and Johnny Depp getting into character by following Thompson around like a groovy little monkey, are good value. For fans of Dr Gonzo, a must-see. (Available exclusively through www.breakfastwithhunter.com)

Black And White

Craig Lahiff's impassioned, if wearily familiar, courtroom drama is based on Australia's (apparently) infamous 1958 "Max Stuart Case"—where a rape and murder confession was beaten out of a young aborigine. It's got two crusading, system-shaking lawyers (Robert Carlyle and Kerry Fox), an oily Crown Prosecutor (Charles Dance) and plenty of rousing speeches about justice. Watchable.

Tommy: The Collector’s Edition

Ken Russell's 1975 adaptation of The Who's rock opera cast Roger Daltrey as the deaf, dumb and blind boy who finds enlightenment, but downplayed the mysticism in favour of addled Freudian guff. It's a real mish-mash, with some truly embarrassing moments (Paul Nicholas, for one), but is redeemed by the performances of Ann-Margret and Oliver Reed, interesting cameos from Elton John and Tina Turner, and a stylish sense of design.

Josh Rouse – The Smooth Sounds Of Josh Rouse

It's New Year's Eve 2003, and Josh Rouse is wowing a hometown Nashville crowd with an Isley-tastic version of "Under Cold Blue Stars" that virtually melts into Stevie Wonder's "My Cherie Amour". An excellent concert DVD in its own right, this gets five stars for the added Many Moods Of... documentary in which we see the BBC's Janice Long being visibly moved to tears. Watch and weep with her.

Omara Portuondo – Flor De Amor

The divine diva of Cuban song offers up a mambo-flavoured masterpiece

Feist – Let It Die

Canadian singer-songwriter's enchanting long-player

Down And Dirty

Guitar-laden second album from New York punk-rocker turned alt.troubadour

The Charlatans (US) – San Francisco 1969

Reissue of trailblazing Haight-Ashbury band's official but very belated debut

Marvin Gaye

Party-friendly assembly of Marvin's funkiest sides, and a repackaged edition of definitive four-disc box

Since Otar Left

Heartfelt story of human resilience from Georgia
Advertisement

Editor's Picks

Advertisement