Reviews

Jacques Brel – Infiniment

Strong best-of bolstered by five unreleased tracks

Holy Trinity

Final helping of the Wachowskis' techno-shock triptych

The Order—Cremaster 3

Matthew Barney's extraordinary Cremaster Cycle has won outrageous accolades: "greatest living artist", "best fusion of art and cinema since Buñuel", etc. This is the climactic 31-minute scene of that epic, and it's every bit as wildly mind-boggling as you'd hope. Barney scales the Guggenheim Museum-staircase, assaulted by molten Vaseline, tapdancing girls, metal bands and a cheetah. The perfect intro to a warped genius.

Parasites For Sore Eyes

All four movies from the interstellar belly-bursting-baddie franchise in extended form, plus five discs of extras

Trespassers William – Different Stars

Swoony Californian dreamscapes in the vein of Mazzy Star

June Tabor – An Echo Of Hooves

A return to traditional song, exquisitely sung, in a perfect setting

Various Artists – Just Because I’m A Woman: The Songs Of Dolly Parton

All-female tribute to country's First Lady features her own reworking of title track

Steve Earle – Early Tracks

Nashville legend's formative years unearthed

Walking Through The Clouds

After the voracious onslaught of The Jimi Hendrix Experience's debut, Are You Experienced, Hendrix throttled back a little. For the band's second album, Axis: Bold As Love, the sound was lither and more fluid, indicating that there was more to him than the faintly racist caricature of the sex-hungry, gimmick-happy Wild Man Of Rock. Rough glimpses of his burgeoning versatility and easy self-confidence are in evidence on this two-disc collection—though such is the quality of these outtakes that the emphasis is generally on rough.

Ronnie Lane – Ain’T No One Like

Those folky solo years of the late Face
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