Reviews

New release to celebrate ex-Can man's 65th birthday

Welcome compilation from passionate and expansive south Londoners

Ripples of excitement from Cleveland's neglected power pop masters

The Gentle Soul THE GENTLE SOUL BOTH SUNDAZED The Cyrkle's last outing was the soundtrack for a soft-porn spy movie. Made in 1967, it took another couple of years to get released, and by then must have sounded woefully dated, since what you get here is an uneasy blend of mid-'60s sounds:so-so beat group pop, bossa nova and surf instrumentals. Odd, but not quite odd enough. The Gentle Soul, however, are a find.

Charting the changes in 19th-century Sicily

Richard Linklater's emotionally ambivalent high school homage is a cutting riposte to the rosy teen nostalgia of both American Graffiti and the entire John Hughes canon. Set in Nowhere, Middle America, 1976, during the first day of summer break, it lazily and amiably follows Hollywood freshmen, including Ben Affleck and Matthew McConaughey, as they drink beer, smoke grass, and cultivate the slacker apathy of future generations.

A subversive pleasure from the pen of Nicholas Kazan (son of Elia Kazan), Enough is an ostensibly ridiculous yarn about battered wife Jennifer Lopez who learns Jujitsu and exacts revenge on millionaire husband Billy Campbell. Yet it's also an extremely un-Hollywood evisceration of white America, the family unit, and capitalism itself. Clever, stupid film-making at its best.

Cult Britpunk director's brief Hollywood foray in full

Russ Meyer meets The White Stripes

Brilliant futurist upgrade of the hip hop aesthetic