Reviews

Dan Bern And The IJBC – Fleeting Days

Impressive follow-up to 2001's acclaimed New American Language from prolific folk rocker

Ex Models – Zoo Psychology

More manic skronk action from Brooklyn

The Red Thread – After The Last

Promising debut from Bay Area moodsmith Jason Lakis

Supersilent – Supersilent 6

Enigmatic Norwegian improvisational collective

Ozzy Osbourne – The Essential Ozzy Osbourne

Thirty-track two-CD collection from the Oz man's post-Sabbath oeuvre

Various Artists – The Ultimate 50s Rockin’Sci-Fi Disc

Seriously hot B-movie schlock'n'roll on a flying saucer tip

Puckoon

Adaptation of Spike Milligan's cult 1963 novel

You Can’t Take It With You

This 1938 Frank Capra outing may have won an Oscar but its tale of the son of a wealthy family (Jimmy Stewart) looking to buy up the property of Lionel Barrymore's cheerful brood of eccentrics (who include an improbably youthful Jean Arthur), is over-treacled with Capra-esque sentimentalism. Stewart's role is underplayed, the plot is slow-moving and the comedic pickings lean.

The Osbournes—Series One

Sharon Osbourne, reviewing Series One, sighs wistfully to her son: "I wish it was back then, Jack... we were innocent then." Jack replies: "I think we've been robbed of our innocence."And it was precisely those naïve and spontaneous moments in the Osbourne family mansion that made the first series such a richly human, entertaining and unrepeatable TV experience.

Rosencrantz And Guildenstern Are Dead

Tom Stoppard directs this 1990 screen version of his ingenious 1967 play about two supporting characters from Hamlet. Stoppard opens up the play's theatrical setting well, and his brilliant dialogue remains intact. Sadly, the two leads—Oldman and Roth—are uninspiring.
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