James Coburn's last film is a well-meaning but hardly unforgettable drama about a father's search across America for the owner of the gun that killed his daughter. The narrative structure is contrived, and although it's only 86 minutes long, you feel yourself growing old watching it.
Venus Hum are heralded as the "New Sound of Nashville", but Big Beautiful Sky's first few tracks take you back to early-'80s Basildon. With Annette Strean's crystalline voice trilling over bouncy synths, you imagine Eddi Reader fronting Vince Clarke's Depeche Mode—it's sweet but unpardonably passé. Thankfully, it changes quickly, the music slowing and swelling to a Björk-style naturalistic ambience that suits Strean's wide-eyed conjuring of delicate flora and sweeping vistas.
The 'ultimate headphones album', having now sold in advance of 25 million copies, is given a comprehensive tune-up (and a smart new sleeve) for its 30th birthday
