Reviews

Scenic – The Acid Gospel Experience

Arizonan soundtrackers make ill-advised foray into space rock

Sonny Landreth – The Road We’re On

Louisiana-based blues revivalist

Return Of The MacIntyre

Darkly uplifting second album from Scottish pop visionary

DJ Muggs – Dust

Debut solo album from erstwhile Cypress Hill producer

Martina Sorbara – The Cure For Bad Deeds

Tales of sleazy sex from young Canadian singer-songwriter

Serge Gainsbourg – Initials SG—The Ultimate Best Of

Sleazy balladeer's finest, with liner tributes from Beck

Various Artists – When The Sun Goes Down Vols 1-4

An exploration of rock'n'roll's roots, spanning 1926 to 1955

Lo Fidelity Allstars – Abstract Funk Theory

Tenth in the series exploring influences on modern dance music

The Kid Stays In The Picture

DIRECTED BY Brett Morgan and Nanette Burstein

Atmospheric 1967 Norman Jewison thriller, and its weaker 1970 sequel from Gordon Douglas. The first, which won Oscars for Best Picture and Rod Steiger, is dryly observed, with Steiger's bigoted Southern sheriff warming to Sidney Poitier's detective as they solve a murder—a big anti-racism statement in its time. The second takes Poitier's Tibbs character to San Francisco, for no pressing reason.
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