Third time around for Mike Myers' sweaty secret agent send-up, and the scattergun approach means two flat jokes for every live one. Still, he knocks down your resistance through sheer quantity: part Benny Hill, part Peter Sellers (although losing the fat Scotsman would do us all a favour). Beyoncé Knowles is the leg interest; cameos from Tom Cruise to, well, every current Hollywood name.
This'll be the one Denzel didn't win the Oscar for. His factory-worker Everyman holds up a hospital when the nasty insurance company won't help his dying son. Shades of Dog Day Afternoon, but an astounding cast (Robert Duvall, James Woods, Ray Liotta) can't stop director Nick (son of John) Cassavetes from descending into trite, teary sentimentality.
Influenced by Spinal Tap as much as it is by cannabis, this 1985 mockumentary was the last thing the duo wrote as a team. Supposedly following them as they record their last album, the best parts are the on-the-couch interviews in which Cheech improvises pretentious answers while Chong tries not to laugh. The songs themselves aren't too funny unless you're baked, but then that's the point.
WAX CO SINGLES VOLUME 2 (1975-8)
BOTH EDSEL
If you hit puberty back in the '70s, your first vaguely sexual experience was, perhaps, handing over your 50p to purchase the latest must-have T. Rex single, seven inches of raucous beauty bedecked in a blue-and-red paper sleeve. Someone's had the very fine idea of re-fashioning these period gems on individual CDs and collating them into two box sets, 11 on each.
Unlikely as he is—a white, upper-class rapper who positively revels in his Ivy Leaguery—Paul Barman offers a surprisingly fresh take on hip hop clichés. The absurd sexscapade "Cock Mobster" balances graphic detail with literary conceit ("I think of the pube I got while reading the Rubaiyat"), owing more to Woody Allen than standard rap bravado. But attempts at gravitas ("Anarchist Bookstore", "Talking Time Travel") resonate with all the panache of a student union debate.