John Travolta begins his '80s career slide as Bud Davis, a hick who migrates to Houston, falls for the honky-tonk bar scene, marries city girl Sissy (Debra Winger), loses her to recidivist Wes (Scott Glenn), and enters a mechanical bull-riding rodeo. Compelling supporting performances (especially Winger) and authentic bar footage from-director James Bridges (The Paper Chase) compensate for Travolta's squeaky, misjudged central turn.
Remembered now as Michael Caine's debut, playing a posh officer opposite Stanley Baker, Cy Endfield's epic recreates the massacre of the Welsh redcoats by the Zulus at Rorke's Drift. Jack Hawkins runs the gamut from demented missionary to drunk, and the battle scenes are terrific.
One of the great Sidney Lumet's thoroughly hypnotic New York movies, where you can smell the sweat of the tension and the barely-repressed panic in the streets. An Oscar-nominated Al Pacino is in hell-for-leather form. Made in '73 and based on Peter Maas' book of the trials faced by real-life cop Frank Serpico, who ended an 11-year career by blowing the whistle on his colleagues, it follows Pacino as the committed crusader exposing corruption in the force. He's abused, ostracised, and ultimately has to flee the country.
Reissued as part of the Superbit series, Barry Sonnenfeld's witty and energetic spoof fields a wonderful tearning in sassy Will Smith and sardonic Tommy Lee Jones. "Searching for a handle on the moment?" asks the latter when the rookie alien investigator is first confronted with the tentacled weirdos from outer space. Fave moment: Noisy Cricket.
Whoo hoo! Ridley Scott's timeless sci-fi noir classic gets handsomely packaged in an impressive box set along with lobby cards, original 35mm frame, script book and poster Definitely Harrison Ford's finest hour, tracking Rutger Hauer and his band of existential Replicants through a neon-and-rain-soaked future LA. Peerless.
Hip hop's finest double-act, Dr Dre and Snoop Dogg, pay loose, improvisational homage to the 1976 comedy classic Car Wash with this amiably inert tale of two roommates scheming, scamming and "busting suds" at the local LA 'wash. There's a kidnapping subplot, consistent casual misogyny, and cameos from Ludacris, Eminem and Tommy Chong. Overall, patchy, but not entirely pointless.
Oliver Stone in mind-fuck overdrive. Seven years after it provoked the most hysterical reactions to a movie since the '70s heyday of confrontational classics like A Clockwork Orange and Straw Dogs, NBK remains as violent, hilarious, unsettling, outrageous and awesome as ever.
At the peak of his cinematic powers and throwing everything into an increasingly volatile mix, Stone reworks Tarantino's original plundering spin on the familiar Hollywood tradition of lovers on a killing spree and sheerly eviscerates it.
This'll be the one Denzel didn't win the Oscar for. His factory-worker Everyman holds up a hospital when the nasty insurance company won't help his dying son. Shades of Dog Day Afternoon, but an astounding cast (Robert Duvall, James Woods, Ray Liotta) can't stop director Nick (son of John) Cassavetes from descending into trite, teary sentimentality.
Halle Berry's blubbing Oscar win shouldn't obscure the fact that this is a brave, harrowing film, echoing the intimacy of '70s cinema's heyday. Billy Bob Thornton is uncannily intense as a Death Row prison guard who cracks up when his son Heath Ledger can't handle his job. An odd coupling with convict's wife Berry may or may not redeem him. Inspirational.
