Part of Columbia's new and improved Superbit series, this immaculate version of Robert Rodriguez's chopsocky western arrives with no extras, no bonus features and a hefty price tag. Instead, with all available disc space used to provide the clearest pixel-free transfer to date, you get an average hyper-violent pop-Leone revenge movie with great depth of field and a sharp crystalline surface.
Tim Burton's splendid tribute to hapless director Wood, whose incompetence has become part of movie legend. Johnny Depp as Wood looks entirely fetching in a variety of angora sweaters, and there's terrific support from Martin Landau as Bela Lugosi, Bill Murray and Sarah Jessica Parker.
Time-travellers Michael J Fox and Christopher Lloyd shunt between the 1950s, the future and the old Wild West in a customised DeLorean sports car, trailing paradoxes in their wake as they attempt not to interfere with history. Zemeckis and Gale's lovingly crafted trilogy remains enormously enjoyable, and curiously now makes one feel nostalgic for the '80s.
Ang Lee's soulful swordfest is out on visually refined Superbit release with wispy hair shots and flashing blades all shimmer-free. Yet Lee's masterfully melancholic movie—with Chow Yun-Fat and Michelle Yeoh as the unrequited martial arts lovers, Matrix choreographer Yuen Wo-Ping providing the aerial ballet, and high-kicking upstart Zhang Ziyi providing the feminist subtext—could work wonders in any format.
Clive Donner's 1963 version of Harold Pinter's debut is a faithful, relatively unaltered record of a trio of stunning stage performances from Alan Bates, Robert Shaw and particularly Donald Pleasence (as the splenetic tramp who takes advantage of the mentally crippled Shaw). Four decades on, you can see Mamet's starting point in the furious inarticulateness of Pinter's characters, each trapped in an unobtainable dream.
While serving as a complete visual history of the Manics from their early days as glammed-up rock'n'roll agitators—with Richey-to their currently more statesmanlike demeanour, Forever Delayed also shows how perfectly video has suited their mix of music and protest. Live performance and increasingly sophisticated films and storyboarding are shot through with urgent messages, slogans, cut-and-paste docu footage and literary reference as the hits roll on.
