The history of Clement "Coxsone" Dodd's legendary Jamaican studio is told through interviews, copious amounts of music and historical footage. There are also plenty of interesting diversions, such as a chapter on how vinyl records are made in a Kingston pressing plant. Early performances by the likes of The Skatalites and Ernest Ranglin are the icing on the irie cake. DVD EXTRAS: Additional interviews with many of the artists featured, plus 16-track CD and 90-page booklet.

Thought deceased, big beat is in fact set to be the new ska—resurrected every few years by students who think they've discovered a new sound. Brighton scene originators Skint are therefore proud of Fatboy Slim, Lo Fidelity Allstars and X-Press 2 with David Byrne, but who's got time to sit through 26 of their videos? Plenty of laughs here nevertheless, as typified by Doug Aitken's wigs'n' breakdancing promo for "Rockafeller Skank".

The sex pistols have become as much of a great British institution as the ones they so chaotically threatened more than a quarter of a century ago. Retelling their stories individually, Lydon, Matlock, Jones and Cook today look and sound as harmless as the good old guy down the pub, although Lydon still employs the glittering Stare to dramatic effect.

Thomas Vinterberg christened the Dogme genre with immense style in this 1998 Danish classic with edgy docu-drama camerawork and grainy digital video helping to supercharge a time-honoured narrative progression from cosy family gathering to shock revelation. Partly inspired by a real-life radio phone-in confession, Vinterberg's jet-black farce moves from incest, suicide and racism to cathartic redemption. DVD EXTRAS: Trailer, Dogme certificate, interview/picture booklet.

When, in '91, this wasn't nominated for a best foreign film Oscar, nearly every living German director signed a protest letter. Agnieszka Holland hasn't since matched the story of a Polish Jew who pretends to be a Nazi in order to survive. Suspenseful and sensitive, it avoids traps which even Polanski's The Pianist falls into.

Bahman Ghobadi's gruelling account of Kurdish hardships on the Iran/Iraq border has none of the artful self-consciousness of Samira Makhmalbaf's remarkably similar Blackboards. Instead, this powerful story of eldest child Ayoub trying to smuggle his dying brother into Iraq features brutally uncompromising scenes of bareknuckle kiddie fistfights, savagely battered horses, and the casual physical abuse of a crippled child.

Steve Martin is dentist Robert Sangster trapped in a too safe relationship with his hygienist (Laura Dern). When he takes a walk on the wild side with drug-dealing patient Susan Ivey (Helena Bonham Carter), Sangster's pharmaceutical supplies are pilfered and Ivey's psychopathic brother and the police send his life into tailspin. A laboured attempt to reinvigorate an increasingly tired-looking Martin.

Gary Sinise directs John Steinbeck's fatalistic Depression-era fable of friendship and sacrifice with a reverence for the text and a painterly eye for period 1930s detail. Sinise also co-stars alongside Sherilyn Fenn and John Malkovich, who anchors this 1992 remake as mentally challenged gentle giant Lenny. A handsome American classic, even if the overrated Malky's twitchy mannerisms irritate as much as ever.

Dennis Hopper got an Oscar for his supporting role to Gene Hackman's high-school basketball coach in David Anspaugh's heart-tugging 1986 tale of sport-equals-life heroics. This was based on a real basketball comeback fight in '50s Indiana and released as Hoosiers in the US. Aptly enough, Hopper was fresh back from his own decade-long trip through chemical hell at the time. Sentimental slush, but redeemed by a knockout cast of veteran heavyweights.

Sandwiched, chronologically, in between Jules Et Jim (1962) and Fahrenheit 451 (1964), La Peau Douce (The Soft Skin) is an intriguing anomaly in the François Truffaut canon. A neo-Hitchcockian tale of infidelity, it methodically observes the extra-marital deceptions of apathetic intellectual Pierre (Jean Desailly) before rashly culminating in a bizarre shotgun shootout courtesy of Pierre's hysterical wife. For Truffaut completists.