Michael Cimino's searing Vietnam War epic stands its ground

François Ozon places style over substance for this tongue-in-cheek murder-mystery musical—but what style. Gathering Catherine Deneuve, Isabelle Huppert, Emmanuelle Béart, Fanny Ardant and a who's who of Gallic goddesses, the costumes alone make this a fashion icon. That it's also a highly entertaining romp played with boisterous vitality is a bonus.

Director Lynne Ramsay draws a mesmerising performance from Samantha Morton as the titular heroine, who discovers her author boyfriend has committed suicide on Christmas Day and passes his unpublished manuscript off as her own before heading off to Spain on an extended jolly. Naturally, serious complications arise. Dreamy and druggy but often difficult, this is an important, original film.

A dazzling epic with a dark and bracing tone, George Stevens' Giant details Rock Hudson's old-fashioned Texan cattle baron (and American national metaphor) as he races towards modernity, neck and neck with neighbouring self-made trailer trash oil-swiller Jett Rink (James Dean). Hudson's sometimes stiff, and the pacing is certainly stately, but it's worth it to catch Dean's final intricately self-conscious screen turn.

Stunningly dark, neurotic and indeed erotic drama from the matchless Nic Roeg who, in 1980, was flying. Set in Vienna, it traces the tangled affair between the passionate Theresa Russell and the deadpan (and very subtle) Art Garfunkel, with Harvey Keitel looking on suspiciously. Riddled with narrative and stylistic flash and mad degeneracy, somehow Roeg makes it stick. DVD EXTRAS: Trailer, scene selection.

Being John Malkovich team twist the rules of narrative to ingenious comic effect

Brian De Palma's taken several critical and box office beatings in his erratically compelling career, but Femme Fatale's straight-to-video UK release must mark an all-time low for him. Not that the film deserves much better—it's glossy tosh, a supposedly erotic crime thriller about deceit and redemption in which De Palma lavishly indulges his stylistic obsessions to very little purpose. Painfully poor work from a great director.

Ambitious and underrated, this finds the Godfather team of Francis Ford Coppola and Mario Puzo mired in Harlem's seedy underworld of steamy dives, bootlegging mobsters and sultry divas circa 1920. Richard Gere and Gregory Hines kick out the jazzy jams while Walter Hill fave James Remar provides a disturbing portrait of Dutch Schultz. This is Coppola at his wild and uneven post-Apocalypse Now peak.

Inexplicably and unforgivably buried theatrically by Pathe, this is Charlie Kaufman's follow-up screenplay to Being John Malkovich. Tim Robbins is the uptight scientist who falls for Patricia Arquette's alarmingly hirsute loner; Rhys Ifans is the man brought up as an ape in the wilderness.

Following what's now uniformly referred to as "the events of 9/11", producer Alain Brigand invited 11 respected directors to each make a reactive film lasting eleven minutes, nine seconds and one frame. Among the diverse responses, the most intriguing come from Ken Loach, Claude Lelouch, Alejandro González Iñárritu and Sean Penn.