Gung-ho navy flyboys Willem Dafoe and Brad Johnson, disillusioned with America's half-hearted prosecution of the war in Vietnam, attempt to hurry the conflict to a conclusion by taking it upon themselves to bomb Hanoi. Hilarious macho nonsense from John Milius at his most demented, in other words.
One of the most revered of Krzysztof Kieslowski's "10 commandments" series, the late director's determinedly bleak parable investigates a pointless murder and a lawyer's subsequent near-existential defence. Out the same year ('88) as A Short Film About Love, its intensity made the Polish maestro a global name.
William Wyler's 1955 suspense classic, later remade by Michael Cimino, finds Humphrey Bogart frowning and sweating as only he can (in a role first played on stage by Paul Newman). Three on-the-run cons hold a family hostage in their home, but after plenty of mind games, the suburbanites outfox them. Humph had done it better in Key Largo, but it still crackles gamely.
Cracking old-school account of the Norwegian resistance's WWII attempts to destroy the Nazi factory responsible for developing Germany's atom bomb. Rousingly directed by Anthony Mann with the visual sweep typical of all his later productions (EI Cid, the first hour of Spartacus). Watch out for the curious sight of Kirk Douglas, in his prime here, acting brooding hambone Richard Harris off the screen.
The definitive Hollywood western, George Stevens' Shane has inimitable narrative momentum, rolling effortlessly from the introduction of Alan Ladd's buckskin dandy to the initial saloon tensions ("You talking to me?") and the epic punch-up, through the homesteader murder and the final confrontation with Jack Palance's beguiling assassin. Magnificent.
Compilation of documentary, videos and live footage marking the 35th anniversary of the Krautrockers. Though their backgrounds were in jazz and classical, they blasted rock into the future via its first principles through repetitive, improvised sessions. This DVD has live material from Cologne and a '76 slot on TOTP playing their one hit, "I Want More". The live footage is irretrievably '70s in its visual mixture of the garish and dismal but the music's way out and beyond. Interviews confirm the cerebral underpinning of this most deceptively primal of bands.
They may not be the most charismatic bunch ever to tread a rock'n'roll stage, but Doves sure know how to put on a fine show. Recorded live in the extraordinary location of the Eden Project in Cornwall during the summer of 2002, the Manchester trio storm through a rousing set of uplifting tunes, in which "Pounding" and "There Goes The Fear", from their latest album, The Last Broadcast, are inevitably the highlights.
EXTRAS: Arguably even better than the main feature.
The latest in the excellent Classic Albums series turns to the Floyd's masterpiece—and given such dubious contenders as Meat Loaf and Judas Priest have already featured, the surprise is that it's taken this long. The hour-plus documentary follows the familiar mix of archive footage (ranging back to the early days with Syd Barrett) and current interviews, in which David Gilmour in particular comes across as hugely entertaining. And what makes it a classic album?
Screenplay by the author Calder Willingham, generic domestics handled by Duvall's Pop and Diane Ladd's Mom, sexual disruptions dispensed by major-outfitted, Oscar-nominated Laura Dern as the teenage housekeeper. Her Rose has an earned rep, but Mom leaps to her defence. Mom's had enough of the South, too. The Button, Lukas Haas, pants and ogles from the sidelines.
