After a biological warfare research lab goes tits up when a virus gets loose, plucky security guard Milla Jovovich has to fight off hordes of the living dead in this fast-paced adaptation of the video game. No faulting the SFX or the action, but all the dialogue here is irritatingly clunky exposition, and the plot lies somewhere between predictable and brain-dead.
John Carpenter's 1998 Vampires was a triumph of gonzo monster-mashing with James Woods in full kick-ass mode. The sequel replaces Woods with Jon Bon Jovi, which may explain why Carpenter describes his exec-producer role as "me picking up a cheque". Nevertheless, we get a stake in the mouth, a chest slash, a tongue biting, various beheadings, a punched-off head and two heads bashed together.
The Weitz brother's adaptation of Nick Hornby's bestseller can't help falling into the sugary-sweet Notting Hill trap. Hugh Grant's genuinely impressive as responsibility-free Will, who strikes up an unlikely friendship with weird 12-year-old Marcus and his troubled hippie mum. It's crucial that the brat isn't annoying: but boy, he is. Hornby's jokes and Badly Drawn Boy's songs add some edge.