In America

Ravaged Irish immigrant family up sticks to New York

The Nightmare Before Christmas

Dark, hugely inventive '93 animation from Tim Burton, possibly much too spooky for kids (or probably not, the sick little psychos). The Pumpkin King of Halloween tries to co-opt Christmas; the voices of Catherine O'Hara, Pee-Wee Herman and other disreputable types ooh and aah. Dazzling, macabre and faintly mad, an Oscar nominee for visual effects.

Terror Firma

Neo-realist classic of the Algerian Revolution more relevant than ever

Taking Sides

Keitel struggles to enliven tepid war crimes drama

Terminator 3: Rise Of The Machines

Impossible to watch this already without wondering how Arnie must've calculated it'd boost his electoral campaign. The Governor of California returns in a shiny sequel to T2 which borrows much of that film's story and dynamics. Jonathan Mostow helms explosively, Nick Stahl and Kristanna Loken stand up strong, and it's loudly functional. But thank God he can't be Prez.

Little Annie & The Legally Jammin’

Sleazy dub'n'declamation from unsung NY legend, the former Annie Anxiety

The Happiness Of The Katakuris

Truly wonderful Japanese black comedy about a nice family who open a quiet B&B in the mountains, only to watch all their guests accidentally perish in increasingly macabre ways. Utterly barking stuff, this has something for everyone—surreal musical numbers with dancing zombies, claymation sequences and an exploding volcano! With movies like this around, who needs drugs?

The AM

Debut from NYC trio featuring ex-Jeff Buckley band guitarist Michael Tighe and drummer Parker Kindred

Dark Water

Hideo Nakata, Japan's master of suspense and unease, knocks one out of the park again with this follow-up to his Ring cycle. A neurotic single mother discovers a ghostly rising damp problem in the apartment block she moves in to with her little girl. Gradually, her sanity begins to ebb away. A squelchy study in female hysteria and maternal anxiety, yes, but also a good, old-fashioned spook flick.

My Life Without Me

OPENS NOVEMBER 14, CERT 15, 102 MINS Ann (Sarah Polley) is 23 and works as a night cleaner. She lives in a trailer home in her mother's backyard, along with two young daughters and an unemployed husband. She also, it turns out, has inoperable cancer, and a matter of months to live. And while on paper that might sound like Terms Of Endearment on a budget, this beautifully judged Canadian picture (produced by Pedro and Agustin Almodóvar) couldn't be further from the mawkishness of a Hollywood weepy. What lifts the film is the powerful, dignified performance from Polley.
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