Slow-moving account of the events leading up to the execution of King Charles I (Rupert Everett) and its aftermath, focusing on the stormy friendship of rebel leaders Oliver Cromwell (Tim Roth) and General Thomas Fairfax (Dougray Scott). Despite lavish period detail, a good supporting cast and an excellent performance from Everett, the leaden and historically dubious script renders this duller than the driest of documentaries.
Classic 'revisionist' western from '71, Peter Fonda's directorial debut is bookended by two acts of fumbling, clumsy yet brutally violent gunplay, but is otherwise concerned with the delicately evolving relationships between two wandering cowboys (Fonda and Warren Oates) and Fonda's once abandoned wife (Verna Bloom). The photography from Vilmos Zsigmond (McCabe & Mrs Miller) is worth the price of the DVD in itself.
In Clint Eastwood's self-consciously stately film of Dennis Lehane's cracking thriller, Sean Penn, Tim Robbins and Kevin Bacon are former childhood friends, estranged by trauma, thrown into adult conflict by tragedy following the murder of Penn's teenage daughter. The novel is raw, seething, but Eastwood's stern, sober direction makes the film a bit of a slog, worthy but oddly unengaging, stripped of tension and the true sense of place Lehane brought to the book.
A stimulating and intriguing set of classic shorts from the directing Premier League. Early work from Godard, Von Trier, Moodysson, Kieslowski, Moretti and Leconte sits with maverick inspiration alongside Brits like Peter Mullan and one Chris Morris (the BAFTA-winning "My Wrongs"). Three hours plus in total, but each nugget boasts such energy that it flies by. Small is beautiful.
In the late eighties that poster adorned every young man's wall, and not just because the French subtitle looked chic. However, those who sneer at Jean-Jacques Beineix's film (here available on DVD only through HMV shops), putting its charm down simply to Béatrice Dalle's deeply erotic mouth (and suchlike), miss the point. Yes, it's visually ravishing throughout (as the pinnacle of the Cinéma Du Look) but it also lives by the true definition of Romantic Art, which has tragic connotations.
A single indiscretion with a besotted servant (a young Toshirô Mifune) starts an inexorable downward spiral for young noblewoman O-Haru. Disgraced, she and her parents are sent into exile, but it soon becomes clear that a woman with a tarnished reputation has very little chance of making good in 17th-century feudal Japan. With ravishing black-and-white cinematography and an austere formality in the direction, Kenji Mizoguchi's 1952 masterpiece is a beautifully crafted example of a past era in Japanese film-making.
This charming but thoroughly odd film from 1970 sees Richard Harris play John Morgan, an eccentric British aristocrat kidnapped by the Sioux in the American Wild West in the early 19th century. Reflecting the liberal concerns of the time, the film is meticulous in its re-creation of Indian customs, particularly the gruesome Sun Vow initiation.
Craig Lahiff's impassioned, if wearily familiar, courtroom drama is based on Australia's (apparently) infamous 1958 "Max Stuart Case"—where a rape and murder confession was beaten out of a young aborigine. It's got two crusading, system-shaking lawyers (Robert Carlyle and Kerry Fox), an oily Crown Prosecutor (Charles Dance) and plenty of rousing speeches about justice. Watchable.
Ted Turner's pet Civil War projects, both directed by Ronald F Maxwell. 1993's Gettysburg tells the tale of the bloodiest battle ever fought on American soil while its prequel, 2003's Gods And Generals, recounts three earlier battles (Manassas, Fredericksburg and Chancellorsville) through the eyes of Joshua Chamberlain (Jeff Daniels), Stonewall Jackson (Stephen Lang) and Robert E Lee (Robert Duvall). Solid, stirring stuff, if you can sit through the three hours-plus running times of both these films.
Jack Nicholson and Diane Keaton prompt begrudging smiles in this long, over-elaborate rom-com which tells the ageing intended audience what it wants to hear: you can still get laid at 60. It helps if you're Jack, here an incorrigible Lothario servicing Amanda Peet until he picks on someone his own age, her mum (Keaton, Oscar-nominated). Keanu Reeves and Fran McDormand make with the filler plot and chuckles.
