Krzysztof Kieslowski's trilogy is one of the standard bearers for 'arthouse' cinema. And though the movies occasionally hint at self-importance (in Zbigniew Preisner's intrusive scores and the colour-coded shooting style), Kieslowski's steely control of storytelling always keeps the narratives fiercely compelling

Anthony Minghella's Civil War epic has plenty of razzle: spectacular opening sequence; deserter Jude Law's trans-American journey to Nicole Kidman; leery sheriff Ray Winstone; doughty Calamity Jane farmhand Renée Zellweger; and a plethora of star cameos. And yet, bar some early 'war is hell' pomposity, it's a disappointingly hollow experience

Likeable Moroccan comedy-drama

Aristo shenanigans from director Claude Chabrol

OPENS JULY 30, NO CERT, 114 MINS Coming-of-age sports movies tend to adhere to a formula and, in essence, this debut feature from computer-effects whiz Fumihiko Sori is no exception. Familiar setbacks and triumphs are all present and correct, but this adaptation of a five-volume manga delivers enough character quirks, visual flair and unique detail to make it the Japanese equivalent of a Wes Anderson film. Friends since childhood, the wild, outgoing Peco (Yôsuke Kubozuka) and the quiet Smile (Arata) are ping-pong heroes of their school.

Moody, often magical Icelandic drama

Woody Allen goes in search of a younger demographic

Haunted house shocker from Japan

De Niro continues to piss away his reputation

Made-in-Taiwan teen flick