A hit in Spain, this only goes to show what Almodóvar is up against. Friends sleep with each other but not with their partners, whom they speculate may be gay. Intermittently they break into dire Euro-pop songs. You keep waiting for taboos to be challenged, stereotypes to be skewed?and you keep waiting. Paz Vega fans would be better off with almost anything else she's done.
At their mid-'70s peak, the stoner Laurel & Hardy personified friendly drug culture - and, accordingly, now seem dated. There are flashes of inspired humour, but only the most devoted pothead would want to wade through this box set, which contains Cheech & Chong's Next Movie (with Pee Wee Herman), Nice Dreams, Things Are Tough All Over, Get Out Of My Room and Cheech's solo Born In East LA.
"We have a truck on fire ... we can't stop the dancing chicken..."In Werner Herzog's steady but bleak 1977 gaze at American badlands, Bruno S plays a Berlin street musician who goes in search of a better life in the US with hooker girlfriend (Eva Mattes) and mad old friend (Clemens Scheitz), but finds only the despairingly drab dead-end of rural Wisconsin. The movie lan Curtis watched the night he died.
Engrossing, gritty, Shane Meadows-style debut from Chris Cooke, wherein three boozehounds on a rehab course scheme to scam portly tycoon Hywel Bennett. The lo-fi camerawork's iffy, but after starting slowly it tightens like a vice as cocktails, weed and violence kick in. Well written and acted, and surely the only film to argue that Jean-Michel Jarre's comeback gig was better than Glastonbury.
You'd have to be Scrooge (or rather Mr Potter) not to recognise Capra as a film-maker whose delight in the human spirit produced some of the finest, sharpest comedies of vintage Hollywood. Here's four of'em-Jimmy Stewart in You Can't Take it With You, Mr Smith Goes To Washington and everyone's festive favourite, It's A Wonderful Life, plus 1934's It Happened One Night. Heart-melting brilliance.
Robust, insightful doc by Startup.com director Jehane Noujaim examining the role of Arabic news channel Al Jazeera during the recent Gulf War. Despite being damned by Donald Rumsfeld as the mouthpiece of Al-Qaeda, Al Jazeera emerges as the only honest voice, struggling to be heard above the clamour of misinformation, manipulation and deceit (most of it, ironically, from the US networks). A real David and Goliath story, expertly told.
John Woo's 1992 cop thriller was his last Hong Kong movie, and it's a self-conscious career peak. Chow Yun-Fat packs an arsenal that would shame the Pentagon as a cop called Tequila; Tony Leung rehearses for Infernal Affairs as his undercover mob contact. The original HK title translates as"Hot-Handed God Of Cops", which is about right.
Costner's multi-Oscar winner recalls Ford and Lean in its epic sweep, as well as revisionist westerns like Run Of The Arrow in its portrayal of Native Americans. Costner's weary Civil War veteran is appointed commander of a remote army outpost, where he finds kinship with the Lakota Sioux. Rich characterisations are balanced by awesome widescreen backdrops.
SPIDER-MAN 2 IS THE best movie adaptation of a superhero comic since Superman 2—one each to Marvel and DC, then. Like that 1980 Christopher Reeve (R.I.P.) super-vehicle, here the eponymous character, played by Tobey Maguire with muscular sensitivity, is torn between saving the world and giving it all up for The Girl (Kirsten Dunst as Mary Jane). This sets things up quite nicely for Peter Parker's biblical abdication of responsibility when the prospect of losing MJ becomes too great and inevitable return when he realises his true calling.
