Latest soppy Kate Hudson vehicle— you have to wonder what her Black Crowes hubby makes of it all— features an eclectic pop selection, with a few little smashers more by accident than design. Devo's "Whip It" and Liz Phair's "Extraordinary" are about as daring as it gets, while there are decent if overtly radio-friendly offerings from John Hiatt and Joan Osborne, plus the resurrected Simon & Garfunkel's too-cute-to-shoot "At The Zoo".
"Not everyone can relate/To what you and I appreciate," croons Devendra Banhart on one track of this fourth effort. It may be the truest, least cloying sentiment he's ever uttered, certainly on disc. Recorded at the same sessions as his recent Rejoicing In The Hands debut, it's a similar anthology of songs shot through with naïve, awestruck wonder, delivered in a warbling croon that's equal parts Ed Askew and Robbie Basho, over steadily thrumming finger-style guitar.
It's an odd time to evaluate Paul Simon's solo career in light of his successful 2004 reunion tour with Art Garfunkel. But maybe all that boomer nostalgia needs a little levity, and the sweep of his solo work proves Simon has never dwelled on the past. The Studio Recordings 1972-2000 is that rare bird—an attempt to collect an artist's entire oeuvre.
