To paraphrase Dolly Parton, it must take a lot of care to look as chaotic as this. I’m referring not to Neil Young himself, not exactly, but to the astonishingly cluttered stage around him, dressed to look like – well, backstage, really, behind the scenes at some lost old-time opry.

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A couple of things I played rather a lot over the weekend: the second Brightblack Morning Light album from 2006, which reminds me of unbearably hot afternoons in our old office, and which still sounds gorgeous on a windy Saturday afternoon in March; and “Supreme Balloon”, the 24-minute title track of the new album from Matmos.