Back in 1996, the last time I saw Lou Reed, I remember making a mental note at the end of the show, to remember to never go and see him again. It wasn’t so much his legendary tetchiness, although that was well to the fore, as a glowering Lou shot irritated, grouchy-headmaster daggers at the band around him while they played, and maintained a stony silence between songs, cracked only for a brief tirade about something a journalist had said to annoy him earlier.
A strange one, this. Nick Cave has been workaholically juggling multiple projects over the past couple of years: The Bad Seeds, of course; his comparatively pensive soundtrack work with Warren Ellis; and the rambunctious, Stoogesy garage rock of Grinderman. A betting man or woman might have put money on him turning up at Latitude in the company of the Bad Seeds, on the back of their superb “Dig, Lazarus, Dig!!!” album from earlier this year.
First off, a brand new Brightblack Morning Light track, complete with visuals, has appeared, and it’s fantastic. The second Brightblack album – West Coast acid-folk-funk infused with gris-gris and a sort of horizontal, post-Spiritualized drone-funk, if any of that makes sense – was a huge hit here at Uncut during the ferociously sticky summer of 2006, and “Hologram Buffalo” is every bit as good.