Not to be confused with the late ‘60s German Krautrock group of the same name, Anglophile New Yorkers Interpol will close Latitude Festival 2008 with a barrage of their Television and Joy Division indebted, guitar-driven storytelling songs.
“Class of ’88 reunion,” announces Sonic Boom. He has just played “Transparent Radiation” and is about to launch – launch may not be the right word, exactly; slope, perhaps? – into an excellent “When Tomorrow Hits”. In front of me, someone is wearing a “Goo” t-shirt. On the way to the Roundhouse, someone randomly proffered an open bottle of amyl. Only Sonic Boom’s haircut appears to have changed, slightly, in the intervening 20 years.
“Class of ’88 reunion,” announces Sonic Boom. He has just played “Transparent Radiation” and is about to launch – launch may not be the right word, exactly; slope, perhaps? – into an excellent “When Tomorrow Hits”. In front of me, someone is wearing a “Goo” t-shirt. On the way to the Roundhouse, someone randomly proffered an open bottle of amyl. Only Sonic Boom’s haircut appears to have changed, slightly, in the intervening 20 years.
The other day in the Uncut office, we were examining an old copy of the Creation comp, “Doing It For The Kids”, from 1988. It provided a reminder of what “indie” used to be: often skewed, a little fey, self-consciously adversarial to the rock mainstream. But nestling among the excellent tracks was a song which heralded a new wave of ultra-ambitious indie bands, keen to aim for a bigger stage.
Seasick Steve, the good time bluesman and one-time railcar hobo, returns to Latitude with his Mississippi grooves on Saturday. One of the highlights of last year’s festival, Seasick Steve packed out the Uncut Arena on a sunny afternoon and this year he’s been bumped up the bill to the Obelisk stage...