Magazine, who I last saw on the opening night of the Secondhand Daylight tour in Brighton, when they played as far as I know for the first time the truly scary “Permafrost”, a song Howard Devoto spent most of the drive down to the south coast describing to me , and I think I’ve got this right all these years on, as an essay in sheer terror.
The vision of half a dozen St Etienne fans waving Foxbase Alpha placards near the stage of the Obelisk arena confuses at first, until some sympathetic soul obviously whispers in their ear that they’re at the wrong part of the site, and they embarrassingly shuffle off towards the Uncut arena. For this is the hour of Editors, who may employ similar synth-like keyboards to Bob Stanley’s crew, but for less summery purposes.
To the UNCUT Arena, then, and the Vaselines and St Etienne. Two bands who, although wildly different in sound and execution both, astonishingly, emerged from the same kind of cultural environment.
I’d been telling anyone who’d listen over the last few weeks and more in the build-up to Latitude that New Jersey’s The Gaslight Anthem in the right circumstances might be the surprise hit of the festival, especially after headline-grabbing sets at Glastonbury and Hyde Park, where they were joined onstage by Bruce Springsteen, who in turn had Anthem frontman Brian Fallon share the spotlight with him and the E Street Band on “No Surrender”.
Unfortunately, the Uncut Arena is running late, so we only manage to see a sliver of Tricky's set before we have to dash off to see some other acts - we can definitely confirm it was pretty bonkers, as you'd expect from trip-hop's most eccentric talent.
Just got back from Wild Beasts at the Obelisk Arena and it’s started tipping it down. After yesterday’s broadly sunny, hot weather, the heavens have clearly decided enough is enough. Still, without wishing to turn this into a Met Office update, let’s just say that the sun stayed out long enough to let us enjoy Wild Beasts.