About ten years ago, I saw a terrific show at the Whitechapel Gallery in London by an artist called Janet Cardiff. The centrepiece of the exhibition, as I remember it, was a room in which were placed a large ring of speakers, playing Thomas Tallis’ choral piece, “Spem In Alium”, in such a way that each singer’s voice emanated from a separate point.
A few years ago, Cornershop’s somewhat capricious practices threw up a single called “Topknot”, fronted by a singer, Bubbley Kaur, who Tjinder Singh claimed that he’d discovered singing in a laundrette. A sort of hugely enjoyable bubblegum Punjabi folk song, it was trailed as the first track from a whole album of Cornershop/Bubbley Kaur collaborations.
A weekend after Radiohead's “The King Of Limbs” came out, it occurs to me that there’s an interesting experiment to be done sometime about how our responses change to a record over time. Maybe we should do a real-time live blog run-through of the album every Friday for the next six months and see how opinions evolve?
