This month’s Uncut (dated February 2013) features the story behind Gram Parsons’ landmark solo albums, GP and Grievous Angel. His closest collaborator during this period, Emmylou Harris, has her own amazing tales to tell, so it seemed time to bring out this archive feature, originally in Uncut’s August 2007 issue, where Harris takes us through the making of her greatest records. Interview: Bud Scoppa __________________

Lincoln begins with the Battle of Jenkin’s Ferry in Arkansas in April, 1864, at the height of the American Civil War. It is a messy, close-quarter scrap in the mud between black and Confederate soldiers, with men shooting, stabbing, punching, flailing and gouging at each other. The rest of Spielberg’s film is about conflict, too, but of a less visceral kind: the constitutional battles Lincoln faces on screen, and the tussle off-camera between Spielberg’s ropey tendencies to mythologise and Tony Kushner’s scrupulous screenplay that strives for fact and precision.

Depeche Mode have disclosed full details of their new album, Delta Machine.

The Mars Volta have split, after singer Cedric Bixler-Zavala posted a letter to fans appearing to accuse fellow bandmember Omar Rodriguez-Lopez of not being committed enough.

Reading a little about the whole Beyoncé lipsynching controversy the other day, I was tangentially reminded of an interview I did with Jim O’Rourke in, I think, 1999 (bear with me…).

Neon Neon, the band helmed by Super Furry Animals singer Gruff Rhys and producer Boom Bip, have confirmed details of their second album.

The lineup for this summer's Primavera Sound festival in Barcelona has been announced.

Wire are set to release a brand new album, Change Becomes Us, on March 25.

Bon Iver frontman Justin Vernon has been in the studio working with a member of Arcade Fire's touring band Colin Stetson on his new solo album.

The Black Keys have said they never feel entitled to success, no matter how hard they've worked for it.