10 It Gets Me Home, This Curving Track: Objects And Essays Ian Penman Fitzcarraldo Incapable of dumbing down, Penman had NME readers reaching for their dictionaries in the post-punk years. He retains the same daunting intelligence in this essay collection, which featured a fine take on mod...
10 It Gets Me Home, This Curving Track: Objects
And Essays
Ian Penman
Fitzcarraldo
Incapable of dumbing down, Penman had NME readers reaching for their dictionaries in the post-punk years. He retains the
same daunting intelligence in this essay collection, which featured a fine take on mod, a gloomy assessment of James Brown and a sublime meditation on Frank Sinatra. Challenging, but worth it.
9 Year Of The Monkey
Patti Smith
Bloomsbury
Another metaphysical ramble in the vein
of her 2015 outing
M Train, Year Of
The Monkey was
a walking tour through the proto-punk poet’s 70th year, punctuated by moody photographs, delicious breakfasts and foreboding visions. One way or another, those horses are still running wild.
8 Cruel To Be Kind:
The Life & Music Of Nick Lowe
Will Birch
Constable
A pub-rock powerhouse in
his own right, ex-Kursaal Flyer Birch’s portrait of ‘Basher’ is not as cheery as the Stiff records superstar’s knockabout reputation might suggest. However, his enormous respect for his subject is evident as Birch carefully plots Lowe’s path from Kippington Lodge to third-age master craftsman.
7 Face It
Debbie Harry
Harper Collins
Blondie made amazing records, but singer Debbie Harry remembered only heroin, exhaustion and
bad business as
she recalled the band’s peak years in this tell-all account. Her adventures in pre-gentrification New York are at times joyful and terrifying, though her intelligence and resilience shine through. Fair but hard.
6 I Put A Spell On
You: The Bizarre
Life of Screamin’
Jay Hawkins
Steve Bergsman
Feral House
A smart sophisticate
forced to live the
life of a carnival sideshow, Screamin’ Jay Hawkins boiled with rage as Nina Simone and Creedence Clearwater Revival made more from his most famous song than he ever did. Bergsman’s study of the schlock icon was a thrilling portrait of an arch narcissist. Spoiler alert: it ends badly.
5 Afternoons With The Blinds Drawn
Brett Anderson
Little Brown
The sequel to Coal Black Mornings that Anderson said he would never write, this exorcism of
his Suede years tracked the band’s swift ascent to
the NME front cover and slow
decline into back-biting and drugs
as their Britpop crown fell to
“bands who waved flags and dropped their aitches”. Bitter, twisted, but very classy.
4 Defying Gravity: Jordan’s Story
Jordan with Cathi Unsworth
Omnibus
The madame guillotine of the punk years, Jordan surveyed the movement’s triumphs and tragedies from behind the counter of Malcolm McLaren’s Sex boutique. The best punk book since England’s Dreaming, her story offered a unique perspective on the Sex Pistols and the PVC-clad nihilism of the time.
3 Me
Elton John
MacMillan
The former Reg Dwight’s garish, stack-heeled autobiography detailed his musical triumphs, suicide attempts and A-list adventures with a delightfully surly twinkle. An eyewitness account of deranged times starring Rod Stewart, John Lennon, Queen, the Queen,
and one of the worst mothers in showbiz history.
2 Fried & Justified
Mick Houghton
Faber
“The legendary
Mick Houghton”, according to Julian Cope, was the
go-to PR man for generations of offbeat talent in
the indie age. His illuminating memoir was a glorious K-Tel collection of anecdotes concerning the finest leftfield
talent of his age: The Undertones, The Jesus & Mary Chain, Felt, the KLF and many more.
1 This Searing Light,
The Sun And Everything Else – Joy Division: The Oral History
Jon Savage
Faber
Bandmates were in stitches when hotel staff admonished Ian Curtis for urinating into an ashtray; the laughter continued after William Burroughs told Joy Division’s troubled singer to “fuck off” when Curtis tried to shake the author down for a free book. Savage’s first-person patchwork honoured the ur-Manchester band’s dour power, but also presented Joy Division as excitable, gawky kids, too unworldly to understand how dark things were getting until Curtis killed himself in 1980. “To have done something for Ian would have taken someone with responsibility,” says guitarist Bernard Sumner. Here are the young men, then – but as this superb account shows, the weight on their shoulders remains.
