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Reviews
Al-Qasar – Who Are We?
Paris-based psych-rockers gather a punky outlaw army from the Middle East to the West Coast
16th September 2022
Marianne Faithfull – Songs of Innocence And Experience, 1965-1995
The Blakean years of an English rose, reconsidered
16th September 2022
Daniel Romano’s Outfit – La Luna
Mystical prog-country opera from Canadian polymath
12th September 2022
David Sylvian – Blemish/Manafon
Glitch-improv confessionals revealed as deconstructed pop standards on new vinyl reissues
2nd September 2022
Vince Guaraldi – It’s The Great Pumpkin, Charlie Brown
Jazz pianist’s 1966 Peanuts soundtrack dusted off and tidily tooned up
2nd September 2022
Ezra Furman – All Of Us Flames
Self-determination, struggle and solidarity, with a high-beam rock’n’roll soundtrack
26th August 2022
Lou Reed – Words & Music, May 1965
The roots of Lou, untangled
26th August 2022
Bridget St John – From There / To Here – UK/US Recordings 1974-1982
Bridging the Atlantic: maxi-skirt chanteuse’s lost decade revisited
26th August 2022
Cass McCombs – Heartmind
Tragedy and comedy combine on the Californian’s brave 10th LP
19th August 2022
Tall Dwarfs – Unravelled: 1981–2002
Kiwi ’80s duo reappraised on 55-track anthology
19th August 2022
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