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Reviews
Grateful Dead – Europe ’72: 50th Anniversary Edition / Lyseum Theatre – May 26, 1972
The Dead’s definitive statement, 50 years on
29th July 2022
Ty Segall – Hello, Hi
Indie-rock’s great restless spirit gets back to basics. Just don’t call it a lockdown album
22nd July 2022
The Walkmen – You & Me: The Sun Studio Edition
The NY-based quintet’s magnum opus, recorded at Sun Studios in Memphis with a five-piece horn section
22nd July 2022
David Michael Moore – Flatboat River Witch
“Traditional but perverted” folk-jazz played on home-made instruments by the banks of the Mississippi
22nd July 2022
Black Midi – Hellfire
Unique London outfit wrestle with chaos on their explosive third album and achieve precise mayhem
15th July 2022
Cheri Knight – American Rituals
A first-time survey of the folk-singer-turned-farmer’s elemental minimalism, set to give her the recognition she deserves
15th July 2022
Lera Lynn – Something More Than Love
Texas-born Nashville songwriter on the joys and trials of new parenthood on her consummate sixth album
15th July 2022
MJ Lenderman – Boat Songs
Youthful auteur finds his voice within a clutch of compelling indie-rock vignettes
8th July 2022
Neil Young with Crazy Horse – Toast
Twenty-two years late… the Horse’s mythic ‘lost’ album arrives and what a magnificent album it is
8th July 2022
Gwenno – Tresor
Welsh surrealist Gwenno Saunders journeys via Cornwall towards self-discovery
8th July 2022
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