Reviews

Lou Reed – Take No Prisoners

Lou live'n'loose, on CD for first time

City By The Sea

Crime, family, and De Niro; a quiet beauty

In an ideal world, Blondie would have existed only on video. The golden Deborah, adored by the camera, would now live forever as a shimmering punk siren, blessed with a voice of both honey and crystalline clarity. Harry fronts Blondie at their 1983 farewell concert in Toronto uncomfortably, inelegantly, and sings without any of the vitality of the sassy little Kittens whose success has prompted this release.

Shots In The Dark

Clint Eastwood's classic final word on the western genre

Emily Sparks – What Could Not Be Buried

Beguiling country/folk-pop debut

Mary Lee’s Corvette – Blood On The Tracks

Intriguing remake of classic Bob Dylan break-up album from female perspective

Joan Osborne – How Sweet It Is

Covers album finds "One Of Us"hit-maker moving into Bonnie Raitt territory

Various Artists – Beginner’s Guide To World Music

Moderately entertaining introductory selection

Jane Birkin – Arabesque

Gainsbourg's grand amour offers Oriental stylings

Dandies Of The Underground

Comprehensive collection of Philly pop-soul boys, fronted by Todd Rundgren, who looked to Swinging London for inspiration and then blew up
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